Megan Calver investigates sites and situations in a spirit of imaginative discovery. A recurrent theme is her speculative relation to the other-than-human lives with which she co-exists. She makes and uses objects, sculptural interventions and live actions in a process of teamwork with people, places and things.

Since 2016 she has worked extensively with Gabrielle Hoad. Joint projects include: Delicate Instruments, a CAMP Research Residency, 2023; Clouded Border, Durlston, Dorset (2022); Platform Residency, Exeter Phoenix (2021); Salt-cat (keeps them at home) (2020), a site-based installation for Open-Up, Hestercombe Gardens, Somerset; pigeon steps (2019), a participatory provocation and publication for Walking's New Movements, University of Plymouth; Turn (the) leaves (2018), a public participatory event and 8-channel sound installation for East Devon AONB and Thelma Hulbert Gallery, Honiton; LEAN (2018) commissioned for the Od Arts Festival Somerset; and The Buffer Zone (2016), a shared inquiry with Susie David at Dawlish Warren into human/nonhuman dialogue, supported by a bursary from a-n The Artist Information Company.

Calver is a member of Preston Street Union, an Exeter-based affiliation of artists who initiate new work and learning through social and collaborative processes. Throughout 2019, Preston Street Union worked on two commissions for Exeter's Royal Albert Memorial Museum, funded by Arts Council England.